Marta Oldrini, the eye of Vogue Italia.
Fashion Market Editor in Milan, she photographs her life like a logbook—long dresses, ancient frescoes, journeys.
Sometimes there are accounts I save without really knowing why. Or simply for the pleasure of finding again, on a rainy day, the memory of a journey or of colors I cannot wait to return to. Marta Oldrini’s is one of them. Fashion Market Editor at Vogue Italia since 2022, born in Parma and educated between Central Saint Martins and the Istituto Marangoni in Milan, she photographs her dresses, her travels, her married friends in the Italian countryside with the slightly nonchalant grace of a woman who moves through the world as a muse for everyone, whenever it delights her.
The grid reads like a personal notebook: a white pleated skirt on a Milan street, a green silk dress leaning against a baroque fresco, a satin bag resting on a saffron-yellow sheet, silhouettes of brides photographed like Renaissance virgins. The Italian eye, yes, but not the one of glossy magazines. Rather, the eye of inherited interiors, of slightly faded palaces, of summers that last too long. An elegance that converses with art history as much as with the fashion-week calendar.
