From courtroom law to aircraft cabins, Inga Sinkevičienė searched long for her path before finding her line. Obsessed with the perfect three-piece suit for women and the clean proportions of architecture, she joined Ina Trofimova at FLOW FEMME. Together, they craft silhouettes of bold shoulders, sculpted waists, and millimeter-precise cuts.
For those with beautiful, strong shoulders, or those who simply want to try them on for a day, FLOW has been almost therapeutic for me. We, as humans, are often tangled in contradictions that keep us from fully embracing who we are. I am proud of my shoulders. They let me swim, they carry my responsibilities, they support my friends at the end of the night, and they hold an quiet elegance when a low-back dress reveals them. Yet… why do I sometimes feel they are "too much"? Too masculine? Too present? Too… me? How to flip the narrative? Or rather, how to slip on the perfect jacket? To own it. To question the norm, the endless obsessions of beauty, and choose to see it as a work on oneself.
A jacket worn close to the heart, speaking of love. I am built to weather whatever comes my way, hand-stitched, just as I am. My shoulders are striking, mysterious. They carry my grief, my falls, my embraces. My little sister on the paths of Lake Gaube. The tears of my friends. The heads of my lovers. My arms raised in pure joy. How to celebrate them? With a FLOW suit that defines them. Cut for life. Cut for the jacket. Everything aligns.
A little backstory…
Inga Sinkevičienė studied law, then spent three years traveling the world as a flight attendant. Between layovers, she sewed, knitted, studied collections, and taught herself fashion. A calling that eventually took over.
When she met Ina Trofimova, founder of FLOW FEMME, in 2016, Inga had long harbored an obsession: to design the perfect women's three-piece suit. Their first capsule collection found its audience. The two women continued their collaboration, eventually becoming business partners.
This fascination with architecture translates into jackets with structured shoulders, cinched waists, sharp-lined trousers, and suits that seem drawn with a ruler. The fabrics are primarily sourced in Europe, particularly Italy, while the tailoring remains in Lithuania.
